Lodi della Musica a 3 Voci

Summary

A collection of three-part odes to music (SAB) with written-out accompaniment for harpsichord and lute tablature.

Details

Standardised TitleLodi della Musica a 3 Voci
Transcribed TitleLODI DELLA MVSICA / A. 3. VOCI. / Composte da diuersi Ecc.ti / Musici con L’intauolat[u]ra / del Cimbalo e Liuto / LIBRO PRIMO.
Date1595
ImprintRaccolto intagliato et / stampato da Simone / Verouio In / Roma / 1595. / Con licentia de Superiori.
FormatCopy at K.8.d.7. 20 leaves; paper dimensions: 270 x 204 mm.
PlaceRome, Italy
SubjectPart songs
LanguageItalian
TypePrinted music
Source

British Library K.8.d.7.

Related Resource

Gary Lee Anderson, ‘The canzonetta publications of Simone Verovio, 1586-1595’, PhD dissertation, University of Illinois at Urbana-Champaign, 1976.

Emil Vogel and Alfred Einstein, ‘Bibliography of Italian secular vocal music printed between the years 1500-1700’, Notes, Second series, Vol. 5, No. 1 (1947), pp. 65-96.

Identifiers

RISM B/I, 15956

Persistent URL for this page: http://purl.org/rism/BI/1595/6

Citation guide

Users who wish to cite this page or the attached digital object in publications should cite the persistent URL and the date on which the website was consulted.

 

Notes

Click 'View Music' above to turn the pages of this digitised book online.  See below for a PDF file you can save to your computer and print.

Engraved in a number of different hands. 

Felice Anerio, "L’amoroso Delfino" is given without harpsichord and lute accompaniment. It is the only song that names the parts: Canto (G clef), Alto (soprano C clef), and Basso (tenor clef).  

Rinaldo del Mel, "E le celesti sfere" appears to be a seconda parte of "Quand’il fido Pastore".  

Includes Imprimatur on last page, granted by Pompeo Ugonio: "Io Pompeo Vgonio hò visto li soprascritte lodi della Musica in versi: ne vi hò notato cosa / alcuna che possa offendere, et sia contraria alla fede, et buoni costumi / Ego Pompeius Vgonius S. Tb.a Doctor m. pp.a / Fr P. Io.es Caragoça Mgr vice R.mi Mgri Sacri Palatij. / Imprimantur".


Copy at K.8.d.7. With a circular engraved bookplate ’’M.A. Principis Burghesii Libris’’ pasted inside front cover. Each folio is numbered in manuscript, from 1 to 19. 

Indexed names

Anerio, Felice, ca. 1560-1614, composer. 
Giovannelli, Ruggiero, ca. 1560-1625, composer. 
Macque, Giovanni de, ca. 1550-1614, composer. 
Mel, Rinaldo del, ca. 1554-ca. 1598, composer. 
Nanino, Giovanni Maria, 1543 or 4-1607, composer. 
Ugoni, Pompeo, d. 1614, granter of imprimatur. 
Verovio, Simone, fl. 1575-1608, compiler, printer.
Simone Verovio (Firm), printer.

Table of Contents

Ai dolci e vaghi accenti (seconda parte: E se talhor affetti; terza parte: Così vn leggiadro canto; quarta parte: Onde spieghin sue lodi) / Gio. Maria Nanino -- Spesso il canto ad amare (seconda parte: E sopra gl’arbuscelli; terza parte: Si trauagliati amanti; quarta parte: Se dunque il dolce Canto) / Gio. de Macque -- All’hor che di bei fiori (seconda parte: E da uerdi boschetti) / Ruggiero Giouanelli -- Al suon di cornamusa / Felice Anerio -- Quand’il fido pastore / Rinaldo del Mel -- Al tremolar de l’onde (seconda parte: L’amoroso Delfino) / Felice Anerio -- E le celesti sfere / Rinaldo del Mel -- Mentr’il canoro cigno (seconda parte: Ecco del canto l’opre; terza parte: E uoi muse gradite) / Gio. Bernardino Nanino.

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