Look at the clouds: Migration and West Sumatran 'popular' theatre

(2003)

(2003) Look at the clouds: Migration and West Sumatran 'popular' theatre. New Theatre Quarterly, 19 (3). pp. 214-229. ISSN 1474-0613

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Abstract

The numerous interrelated ‘popular’ theatres of Indonesia provide important evidence for the study of artistic interaction and change. The West Sumatran Randai theatre emerged in a culturally hybrid space and has been a sensitive index to local, national, and international flows and conditions. Matthew Isaac Cohen traces the origins of Randai in the late-colonial period and discusses its associations with rantau – a time of temporary migration, traditionally associated with the rite of passage to adulthood, but increasingly a semi-permanent exile for many Sumatrans. He then traces how and why Randai has now become more than a local art form, having been exported out of the province of West Sumatra to be utilized as source material for modern theatre by Indonesian theatre makers in Jakarta and Australia. Matthew Isaac Cohen is a Lecturer in Theatre Studies at the University of Glasgow, a scholar of Indonesian theatre and performance, and a practising shadow puppeteer.

Information about this Version

This is a Published version
This version's date is: 03/10/2003
This item is peer reviewed

Link to this Version

https://repository.royalholloway.ac.uk/items/df8cdd75-d82b-c43b-6c8b-be52abbbc6a4/1/

Item TypeJournal Article
TitleLook at the clouds: Migration and West Sumatran 'popular' theatre
Authors
DepartmentsFaculty of Arts\Drama and Theatre

Identifiers

doi10.1017/S0266464X03000125

Deposited by () on 20-Jan-2011 in Royal Holloway Research Online.Last modified on 20-Jan-2011

Notes

(C) 2003 Cambridge University Press, whose permission to mount this version for private study and research is acknowledged.

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